Showing posts with label Deutschland. Show all posts
Showing posts with label Deutschland. Show all posts
Sound Installation
in situ
2014


They are not cut yet but their luck is already sentenced.
About 60 trees leave their home in the north wing of the Weimarhallenpark to make room for the new residence of the Neues Bauhaus-Museum.
Birds, bats, banks and the others trees will say goodbye to this group of future outcasts.
adieu is an interactive sound-installation that wants to offer the opportunity to Weimarers and other habitants of the city that usually dwell this park to join this mourning’s chorus and begin to say goodbye to the each other.
If the plan is accurate, only five trees located on the other side of the road will survive in its current position and they will be the witnesses of the announced arrival of the new neighbour of 30 meters.



Weimar in Germany has currently nine big parks and the Weimarhallenpark is the only one in the centre of the city. This park was and is a very popular venue for adults and children.

On the other hand Weimar is very well know for be the first quarter of Bauhaus, the school of art founded by Walter Gropius in 1919. Since 1995 a temporary building houses the Bauhaus Museum Weimar that shows a small part of the collection that represent the architectural style of Bauhaus.
Around 2008 the city began planning the construction of a new Bauhaus Museum to replace the existing today, which is too small to host the complete actual collection.
After a huge competition and the redesign of the district planning law the winner was chose in 2012.
Around April 2014 Mr. Röhrich an inhabitant of the city, who grew up and has lived most of his life in the surroundings of the Weimarhallenpark area, contact me with the aim to create a strategy that allowed him to make duel with his memories an the new changes.
The construction of the Neues Bauhaus Museum will remove Mr. Rörich’s preferred wood bench in the Weimarhallenpark as well as the sixty trees that are behind of it. When we began to talk bout his feeling was clear that the result of our actions would be therapeutic art.
The first strategy was to visit the park regularly every Sunday between 11 and 14 hrs. In those sessions, we interviewed locals about their memories in the park as well as their opinion about the site chosen to the construction of the new museum.

I taught to Mr. Röhrich how to manage a Blog and between April and May 2014 he wrote the texts and I was in charge to the sound recordings. The title chosen by him was: Bauhaus oder Hausbau?.


On this process I noticed how the opinions about the places were more frequent than the memories of the place, also because many of the interviewees not grew in Weimar, they arrived in the city after.
Despite the difficulties was possible to collect some of the recollections and create an album, named Bürger zum Weimarhallenpark 
Our fieldwork led me to a few insights that have implications for design an interactive installation and the potential ways of using sound in public spaces and creates an intersection between memory and time.


As the future of the trees is that they will be cut in the autumn of 2014 I choose the Sunday 28 of September as the day to install the piece.
adieu consisted in nine audio tracks of branches being cut with mowers an the sound of trees falling on the grass.

The original idea consisted that at different distances, different audios will be activated with the pass of the pedestrians, but the constant overlapping of tracks showed that it was better to use a single composed track.
The audios were reproduced in the site, and a red and white construction tape was installed around the area of the trees that will be cut, pretended to foresee the future outlook of the area and evoke in the citizens a spirit of solidarity with the trees as well as a moment of mourning and farewell.

Also I provided some yellow labels where people could write messages and leave them hanging in the trees.


Technical Aspects:


To the Audio Installation I used one board of Arduino Duemilanove with a WaveAudio Shield, the use of the Arduino AF_Wave library and a SD card, nine uncompressed 22KHz, 12 bit, mono Wave (.wav) and a pair of head speakers, also a PING))) Ultrasonic Distance Sensor.
For the Audio edition I use the programs Cubase LE AI Elements 6 and Audacity.

 



25x12 cm
60 min
2012 / 2013


How many times throughout history people have been thought the "end of the world" was nigh?. If we made a small research we found that our world has been ended at least 527 times until now, in order to create an opportunity to reflect us about our future and our fears.


We really need world-ending moment to shock us out of your daily apathy? if we have the opportunity to turn the sandglass another time probably we can start to live each day as a gift












from 11 to 27 April 2013 in Laboratorio Interdisciplinario para las Artes-LIA.
Bogotá - Colombia.



Installation
in situ
2012


Weimar in Germany is a city that has had at least 70 fountains throughout its history. Currently, only about thirty of them survive in good condition.
My interest in the fountains arises upon recognizing the city as a silent place that is invaded by the sound of water sources. After going on a tour of the existing fountains and those that disappeared I decided to work with a single fountain, a work of German Sculptor Arno Zauche: the Froschbrunnen (frog fountain), a relatively new fountain that replaced an older one.
The intention is to realize an intervention in the fountain, to evoke the story Der Froschkönig oder der eiserne Heinrich (Frog Prince) collected by Grimm’s Brothers and allow children and adults have a different experience with this work that is part of the city.

 

Special thanks to Ms. Christine Tauro of the Weimar City Council - Urban Development Office - Conservation Authority and to Mr. Thierfelder the Fountains Master.



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Weimar ist eine Stadt, die in ihrer Geschichte mindestens 70 Brunnen besaß. Derzeit sind nur ungefähr 30 davon in gutem Zustand.
Mein Interesse an den Brunnen entspringt der Erkenntnis, durch sie die Stadt als einen stillen Ort wahrzunehmen, in dem das Geräusch von Wasserquellen eindringt. Nach Besichtigung der bestehenden Brunnen und der Beschäftigung mit den bereits verschwundenen, habe ich mich entschieden, mit einem einzigen Brunnen zu arbeiten, einer Arbeit des deutschen Bildhauers Arno Zauche: dem Froschbrunnen. Es ist ein relativ neuer Brunnen, der einen älteren ersetzte.
Meine Arbeit beinhaltet eine Intervention am Brunnen, welche die Geschichte vom Froschkönig oder vom eisernen Heinrich (Märchenprinz) der Gebrüder Grimm, an die Oberfläche bringt, um damit Kindern und Erwachsenen eine andere Erfahrung mit dem Brunnen zu ermöglichen.


Besonderer Dank geht an Frau Christine Tauro der Stadtverwaltung Weimar - Stadtentwicklungsamt - Untere Denkmalschtzbehörde und Herr Thierfelder der Brunnenmeister.




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Weimar en Alemania es una ciudad que ha tenido por lo menos 70 fuentes en toda su historia. En la actualidad, sólo unas treinta de ellas sobreviven en buenas condiciones.
Mi interés en las fuentes surgió al reconocer la ciudad como un lugar silencioso que es invadido por el sonido de las fuentes de agua. Después de realizar un recorrido por las fuentes existentes y aquellas que desaparecieron, decidí trabajar con una sola fuente, la obra del escultor alemán Arno Zauche: the Froschbrunnen ( la rana fuente), una fuente relativamente nueva que sustituyó a una anterior.
La intención es realizar una intervención en la fuente, para evocar la historia El Rey Rana o Enrique el férreo (Der Froschkönig oder der Eiserne Heinrich) recogida por los hermanos Grimm y permitir a los niños y adultos tener una experiencia diferente con esta obra que es parte de la ciudad.

Un agradecimiento especial a Christine Tauro del Consejo de la ciudad de Weimar - Oficina del Desarrollo de la Ciudad - Autoridad en Protección de Monumentos y al Sr. Thierfelder Supervisor de Fuentes.




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